I like how this one turned out. I wanted the cyborg/robot to appear somewhat damaged and unsure of itself. I think that was captured with some of the erratic shading and effects. I wanted less explicit detail as well, so a lot of the parts are suggested. I kept the color pallet simple so it would look more like splashes of paint or brands then the actual color of the android.
I put a lot of work in making the frame. I’m not very good at frames but I recognize how important they are for T-shirts. A lot of my work is too complicated to put on a shirt and the frame helps simplify it so it can be printed on different colors of shirts.
Bit of a splatter portrait with composite elements. I wanted to set up a cool illusion with the main portrait sharing eyes with the inked figures and I think it turned out pretty interesting. Not too much to say, I think some of my blending got sloppy but the lips turned out very well (I very often struggle with hyper realism in lips).
Anyway, the workflow was more straightforward than it probably looks. I sketched the face on watercolor paper in ink, did some basic shading to paint over. I was heavier in the areas with less detail to draw focus to the eyes and mouth. Did a lot of basic splatter effects around the edges of the face, then painted the skin. After that I blended the components and added the red splash, the buildings, comic book photos, and clouds composite style. Blended those and finished up.
Phew. Been working on this one for a few months. A put out a smaller version a while back, then realized it had more potential. So I added, a lot. And made it huge. I’m proud of it. There’s a lot of little details that are easy to miss, especially when it’s shrunk down like this. (If you can find the negative space crab, I’ll be impressed.
I still need to clean up a few things (especially the lips and the transition to the waterfall). But I think it’s on track to be one of my most complex pieces.
94×73 inch digital painting
copr Blu-art and Arktic-ink 2018, all rights reserved.
This turned out pretty clean all things considered. I used a stock photo of stacked papers as a base then drew the face (mostly splatter style, the nose was hard and took the most time), then accented the areas with other composites (the street is from Iowa City where I study). Tried a meatier style for the eye which is meant to be the focus with all the composites shooting out of it.
Here’s the stock photographers page who provided the canvas for free: Photo by Brandi Redd on Unsplash
17×30 inch at 200dpi
copr Blu-art 2018, Arctic-Ink 2018
It’s pretty similar to the challenge I did here: https://bluebeard-art.com/2018/03/30/challenge-drawing-a-dragon-eye-using-a-leaf-as-a-canvas/
Except it’s mostly drawn where the dragon eye was frankensteined together with about twenty images and I really only shaded in the rocks and eye with the sketch in the pupil. That one was easier because it was all blending and less brushwork.
Here’s the original image (sourced above)
Small collection of some photos I took.