Prosthetic – Painting + Tshirt

I like how this one turned out. I wanted the cyborg/robot to appear somewhat damaged and unsure of itself. I think that was captured with some of the erratic shading and effects. I wanted less explicit detail as well, so a lot of the parts are suggested. I kept the color pallet simple so it would look more like splashes of paint or brands then the actual color of the android.

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I put a lot of work in making the frame. I’m not very good at frames but I recognize how important they are for T-shirts. A lot of my work is too complicated to put on a shirt and the frame helps simplify it so it can be printed on different colors of shirts.

Capture

 

Cheers,

Blu

Dilaudid – Abstract Painting

I wanted to focus more on the emotional side of the textures and colors for this one, so I obscured the subjects face with a smoky effect and worked his form into the body of the painting. I wanted all the transitions and blending to feel really natural and for lack of a better term, ‘two-dimensional’. Even with all the layers I think I largly accomplished that goal while keeping a lot of the shapes and contour interesting/engaging for those who want to take a closer work. The text is in Greek and Latin and deals with concepts of addiction, hence the name.

small cut

I think the interplay between the cross hatching and low opacity shapes created a futuristic sort of vibe that I kind of liked paired with the theme.

 

Cheers,

Blu

Burst and Decay – Mixed Media portrait

Bit of a splatter portrait with composite elements. I wanted to set up a cool illusion with the main portrait sharing eyes with the inked figures and I think it turned out pretty interesting. Not too much to say, I think some of my blending got sloppy but the lips turned out very well (I very often struggle with hyper realism in lips).

Anyway, the workflow was more straightforward than it probably looks. I sketched the face on watercolor paper in ink, did some basic shading to paint over. I was heavier in the areas with less detail to draw focus to the eyes and mouth. Did a lot of basic splatter effects around the edges of the face, then painted the skin. After that I blended the components and added the red splash, the buildings, comic book photos, and clouds composite style. Blended those and finished up.

Portrait6

Watchers – Painting

A mixed media painting on cold-press. Ink, watercolor, and photo-manipulation for the geometric overlay of the ink-splatter. The face near the middle connected to the smoke is actually a portrait I did when I was first getting into digital and mixed media. It saved me a lot of time to use that and I think it looks pretty interesting.

trad

copr Blu-Art 2018, all rights reserved.

More Cover Art!

A collaboration project with an old art buddy of mine. Been working on it over the past month or so and I think it’s coming along nicely. It’s primarily a digital painting but there are composite elements in the largest flower and the famous building I’ve forgotten the name of (both were free photos from unsplash.com that we reworked into the composition). The subject was also based on a photo which I masked over and painted/re-textured. That’s essentially the equivalent of tracing something, but it is still painted and I think she turned out well.

T-shirt8

copr Blu-art and Kochre. 

I moved away here from my normal hyper-textured/realistic style primarily because there isn’t enough skin to make it work. Most of the composition was just black…so we worked in little Easter eggs from the story.

I’m especially proud of the eye re-texturing I did specifically for this piece.

Capture.PNG

 

Here’s a closeup of the most recent addition. There’s some smoothing out to do still, but I’m rather fond of how it turned out.

Capture

 

Here is a close-up of the hands alongside a few of the more complex transitions:

Capture.PNG

I know it seems needlessly bloody, but the character depicted loses a finger during the act this heads, which is what it references. Furthermore, I did a questionable job on repainting the contour of the hand and messed up the skin color a little. The blood helps cover up the mediocrity.

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The artwork displayed here is copyrighted and not available for any type of reproduction without explicit written permission from me. I’m pretty open to letting people use stuff as long as they pass along credit, so don’t be afraid to ask!

My Portfolio: https://arctic-ink.myportfolio.com/

My Deviant Art: https://arctic-ink.deviantart.com/

My Design by Humans shop: https://www.designbyhumans.com/shop/ArcticInk/

2

Painting for my Cousin’s birthday – Taurus

He’s a weight-lifter who just won state in power-lifting. He’s also a Taurus so I decided to continue the zodiac project which I’d been putting off.

Taurus.png

So my goal was to give the piece a heavy handed impact and a strong center focus, with the eyes being the most rendered bits. Been experimenting with more impressionistic and suggestive styles for skin facial structure. I think the varied texture and coloring of the skin and the blob of black with little bits of brown that suggest curly hair turned out well. The backgrounds a little meh, but I wanted the focus to go straight to the blue/purple eyes. The horn and shattered stone cow represent Taurus and the traits associated.

To me, it looks a lot like a traditional portrait for Scorpio I did four or five months ago: cropped-determination41.jpg

copr Blu-Art 2018

The theory and direction here was very similar, except it’s in watercolor and pen.

It’s crazy to think I’ve only just started my transition to digital art a few months ago, and I’m really proud of the progress I’ve made. I feel myself getting to the point where I can translate my traditional art style to my digital work in a much more fluid manner. When I first tried out digital drawing I was discouraged because everything felt disconnected. It felt like I wasn’t really building off of old skills, just learning something new. Now it feels like I’m slowly combining the two into something uniquely me.

Beyond the fact that this drawing was for someone close, it is important to me because it made me realize where I want to take my art and style as a whole. That’s something I’ve been trying to figure out for a long time, too.

 

Cheers,

Blu

Challenge: Abstract portrait using stacks of paper as a canvas

This turned out pretty clean all things considered. I used a stock photo of stacked papers as a base then drew the face (mostly splatter style, the nose was hard and took the most time), then accented the areas with other composites (the street is from Iowa City where I study). Tried a meatier style for the eye which is meant to be the focus with all the composites shooting out of it.

Here’s the stock photographers page who provided the canvas for free: Photo by Brandi Redd on Unsplash

17×30 inch at 200dpi

Soapyabstract4.png

copr Blu-art 2018, Arctic-Ink 2018

It’s pretty similar to the challenge I did here: https://bluebeard-art.com/2018/03/30/challenge-drawing-a-dragon-eye-using-a-leaf-as-a-canvas/

Except it’s mostly drawn where the dragon eye was frankensteined together with about twenty images and I really only shaded in the rocks and eye with the sketch in the pupil. That one was easier because it was all blending and less brushwork.

Here’s the original image (sourced above)

brandi-redd-122054-unsplash (1)

 

Cheers!

-Blu

Winter – Artwork + Updates

One of the bigger projects I’ve been working on.

40×60 inches multimedia character portrait.

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I really like how it turned out.

In other news I submitted my portfolio to ‘Design by Humans’ which is a company that partners with artists from all over the world to print designs on clothing, mugs, phone cases and more. I didn’t really expect to get accepted, so it was a nice surprise when I got the email today and was able to set up my shop.

This particular design is the only thing I’ve set up so far, but there will be more to come after I make it through finals (probably in one piece…hopefully).

Anyway, all the links to that kind of stuff will be at the bottom of the art posts from now on to keep things organized.

Cheers,

Blu

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My Portfolio: https://arctic-ink.myportfolio.com/

My Deviant Art: https://arctic-ink.deviantart.com/

My Design by Humans shop: https://www.designbyhumans.com/shop/ArcticInk/

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Texture Drawing with Steps

For a texture based drawing like this, you kind of have to know what you’re going for, then accept that the result probably won’t look the way you think it will. I wanted to do a portrait of a character I’d already drawn, which is actually harder than drawing a new character, because you can’t just wing the features.

Step 1 (about five hours): Yes, texture drawings without blending are terrifying. I molded the textures I wanted to use into the correct shape then did some rudimentary blending and erasing out places for the drawn and more detailed parts of her face. There are some brush strokes here, but they are suggestive and serve mostly as a framework or placeholder for what is to come.

step 2

Step 2 (about six hours): Drew the majority of the important bits in. Most notably the first few layers of the nose, lips,  teeth, hair and sweatshirt.

Sopbhie withoutshading

 

Step 3 (around eight hours): I should have taken more pictures in between for this step, but it was a lot of drawing and redrawing to get the eyes to blend into the texture and create that cracked illusion. I did a lot of work on the skin and actually retextured a few areas to get it to work better. I did most of the skins texture in a fence brush (splatter blending style).

Most of the time spent was noticing little issues in light room and going back in to fix them a good seven-nine times.

Sopbhie 6-3

It ended up looking entirely different then what I’d pictured, but I like it a lot. Came in at only forty layers which is good, because it means I’ve gotten more efficient at reducing extraneous layers that make it needlessly complex to manage and edit.

Moving forward I want to look into re-balancing the darker marks on the right cheek, as they are too dark right now and are flattening the implied positioning of the cheek.

Cheers,

Lilith 🙂

Challenge: Drawing a dragon eye using a leaf as a canvas? (Hybrid composite drawing)

So this was kind of a weird challenge, I wanted to make a trippy wallpaper, but instead of “drawing” it on a blank canvas like normal, I wanted to see if I could do the majority of it in textures, on a texture. In other words turn a benign leaf into a spooky water dragon.

SO, this was my canvas (licence free). lol…

abstract-art-artistic-459301

I picked something hard on purpose, as a rule I wasn’t allowed to erase any part of the canvas. I had to turn this leaf into the eye of a dragon.

Here’s the thirty layers of shading and textures I added to my already busy canvas:

without canvas.png

I needed really heavy blacks to obtain any sort of com-positional balance. That was already void from the leaf photo. So I blocked out the blacks and sketched the form of the eye, making sure to keep the important parts away from the leaf’s busier channels. The main challenge was molding the shading around to fit the leaf, because it’d be very easy to blow out the wrong areas. For this reason, my shading and structure probably looks very rudimentary and inconsistent, but this has more to do with drawing around the problem areas.

How it turned out:

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I’m pretty happy with the result. It looks…weird. The water droplets on the eyelid don’t really make sense but they look cool if you don’t think about it, and my heavier mix of textures on the eyeball alongside the quick sketchy drawing of the skeleton on the crucifix ended up looking pretty intense. It is admittedly a cluster-expletive and completely unbalanced in a lot of ways, and it could use some cleaning up. But given the restrictions and how unmanageable that leaf photo was, I feel good about it. And being real, it does have a rather unique look. 🙂

Anyway, feel free to use this image for whatever as long as you credit me. If anyone wants the .psd or a .tiff format (full size) version of the image, be warned that it is seventy megabytes, but I can send it over google drive or something.

 

PS: I’ve had a few blog posts accidentally be released unfinished because I’m dumb and forgot I scheduled them. I’m going to stop slotting unfinished things assuming I’ll get back to them at some point, sorry for spam!

Cheers,

Blu ❤