Watchers – Painting

A mixed media painting on cold-press. Ink, watercolor, and photo-manipulation for the geometric overlay of the ink-splatter. The face near the middle connected to the smoke is actually a portrait I did when I was first getting into digital and mixed media. It saved me a lot of time to use that and I think it looks pretty interesting.

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copr Blu-Art 2018, all rights reserved.

Gemini – Mixed Media Painting

Another piece of my long standing zodiac project. This one means a lot to me. One of my best friends fell thirty feet in a climbing accident and hit his head on a rock. It took the doctors three days to determine he was brain dead. They took him off support last Saturday. He was a Gemini and my friend Kendra and I created a unique version of the image for his birthday, which was a week before the accident. He never got to see it finished, but I think he would’ve liked it. He was always supportive of my art. He was probably my only fan when I first started. He was just a good friend, always there for me, even when I wasn’t there for me, and even when I wasn’t there for him.

Gemini 93×104 inches

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copr blu-art, Kochre, and arctic-ink 2018

Some minor issues, but we’ll fix them.

Amalgam

One of my first attempts at a piece with an invisible background (not easy the way I paint). My style breaks down in cleanliness a little when you take away the background which I usually use for positive and negative space interplay, but this came out alright. It’s a little confusing to look at but it’s also a T-shirt design and I kind of like that it looks like a simple shape from far away but is also rather detailed up close.

It’s a mixed media piece. The women were done in ink while the buildings were photo manipulated into a fractal pattern. The pain splatters and textured splashes were painted digitally.

 

 

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Here’s some examples of how it looks printed:

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Anyway, had a lot of fun putting this together between exams and ER shifts this weekend.

 

Here’s a link to the store page if anyone is interested: https://www.designbyhumans.com/shop/t-shirt/men/metric-rain/952154/2

Cancer – Painting

Phew. Been working on this one for a few months. A put out a smaller version a while back, then realized it had more potential. So I added, a lot. And made it huge. I’m proud of it. There’s a lot of little details that are easy to miss, especially when it’s shrunk down like this. (If you can find the negative space crab, I’ll be impressed.

I still need to clean up a few things (especially the lips and the transition to the waterfall). But I think it’s on track to be one of my most complex pieces.

 

94×73 inch digital painting

Cancer

copr Blu-art and Arktic-ink 2018, all rights reserved.

Wallpaper cut:

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More Cover Art!

A collaboration project with an old art buddy of mine. Been working on it over the past month or so and I think it’s coming along nicely. It’s primarily a digital painting but there are composite elements in the largest flower and the famous building I’ve forgotten the name of (both were free photos from unsplash.com that we reworked into the composition). The subject was also based on a photo which I masked over and painted/re-textured. That’s essentially the equivalent of tracing something, but it is still painted and I think she turned out well.

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copr Blu-art and Kochre. 

I moved away here from my normal hyper-textured/realistic style primarily because there isn’t enough skin to make it work. Most of the composition was just black…so we worked in little Easter eggs from the story.

I’m especially proud of the eye re-texturing I did specifically for this piece.

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Here’s a closeup of the most recent addition. There’s some smoothing out to do still, but I’m rather fond of how it turned out.

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Here is a close-up of the hands alongside a few of the more complex transitions:

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I know it seems needlessly bloody, but the character depicted loses a finger during the act this heads, which is what it references. Furthermore, I did a questionable job on repainting the contour of the hand and messed up the skin color a little. The blood helps cover up the mediocrity.

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The artwork displayed here is copyrighted and not available for any type of reproduction without explicit written permission from me. I’m pretty open to letting people use stuff as long as they pass along credit, so don’t be afraid to ask!

My Portfolio: https://arctic-ink.myportfolio.com/

My Deviant Art: https://arctic-ink.deviantart.com/

My Design by Humans shop: https://www.designbyhumans.com/shop/ArcticInk/

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Love Kills – Artwork

This was deceptively complicated to figure out and structure. I struggled quite a lot with making the face not derpy and even tried out using fur textures. Ended up running the opposite way and killing most of the detail on the wolf person to draw focus to the emissive window I put together (as it was much cleaner and ultimately more interesting).

 

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Digital Painting/Composite reflection.

Sorry to anyone who clicked the first link that went out last night, I blundered and misc-clicked last Saturday instead of this morning 😦

Why can you even backdate things anyway? Feel free to enlighten me. 

Anyway:

I like to do these kind of reflections before I start working on a different major piece or project. It helps me kind of compartmentalize what worked, what didn’t, and what flat out failed. Furthermore, it’s an important step in working to understand what I’ve made; not always an easy thing to do. I mean that literally, I look at this and probably see something really different than what everybody else does, it’s like looking at yourself in the mirror. Hard to judge.

First the good: I wanted to be realistic with this, and I accomplished that. If you look a little to the side, you can’t really tell it’s a drawing, and I’m really proud of that. My mom actually thought this was a photograph when she saw it (on her phone admittedly). And that just made me feel good. And then bad…in some ways. I had a bit of anxiety that people wouldn’t realize it was a drawing, even though it doesn’t really matter because it turned out scary, and that was what I wanted to do. A lot of this anxiety stems from the time investment, too. I worked over thirty hours on this and that’s around the point I start becoming protective of the art. I love it like I love my books and anything I’ve poured my heart and soul into creating. It was hard and obviously it didn’t turn out perfect, but it also feels like a part of me, and that’s why I even make art in the first place.

The mediocre: It may have turned out a little creepier than I intended. Yep, all over the board here, but hear me out. I think that the holes went a bit too far, made her just a tad to zombie-esque. Zombie wasn’t really the goal and the holes were meant to be complimentary to the cracked smile (Chelsea grin concept). The hair is meant to be dreads done up in a pony-tail but the limited details are confusing. Part of this is because Black hair is very easy to draw, it’s black, it gives you a great place to dump all the shadow balance (which means more HIGHLIGHTS <3).

Too bad it looks like multicolored sticks sticking out of a bush. Luckily it is very much not the focus of the drawing so it’s not a huge deal.

The bad: There isn’t really. The lighting balance between shadows and highlights is exactly how I planned and sketched it out to be, highlight heavy with weighty blocks of shadow to pull you into her eyes, which I spent a good three hours on texturing. The personal goal was to surround the pretty eyes with a bunch of chaos and discord and broken things, but have the viewer not really care because: Those are pretty eyes.

 

At least that was the goal and thought process. Whether or not it was successful is up to you 🙂

Bluv

Challenges moving forward: BLONDE HAIR. It’s evil. It is. So incredibly difficult to detail and balance (where do the shadows go?!)

The hair itself has to have shadows, mids and highlights. There’s a reason I don’t draw blonde hair. I want to stop being afraid of it, though, because I have a character that has blonde ends to her hair, and I want to draw her. So I will, and I will probably fail the hair a few times before I get it right.

PS: In the past I’ve gone kind of in depth on technique. I’ve found that most people don’t really care, but if you do, just ask in the comments and I’ll write out the entire process from start to finish and can even provide the layers and psd if you’d like to study how it was put together and layered to create various effects and smooth shading.

Cheers!

Lilith ❤

Chelsea Grin (Artwork+Poem)

Chelsea grins when Chelsea wins,

something thin and something grim.

Chelsea grins through fading skin,

taking lives while moaning hymns.

Taking time to carve away,

the very essence of her prey…

…Up the lips and through the cheek,

a torturous smile that haunts the weak.

No one wins when she grins,

No,

No one wins when she sins.

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Note: This poem and artwork are based on the Chelsea grin, or Glasgow smile. Wherein the perpetrator cuts a smile into the victims face with a sharp object or razor.

Digital portrait

7x20inches

Bluv

Creepy Doll

Creepy Doll

That clay-mold doll,
Strung up on our wall,
Is funny.

Stare out to the night,
An insomniacs call,
Red eyes stare me back,
Coarsened with fright.

That clay-mold doll,
You strung on my wall,
Is daddy.

A pale moon flight,
Three hallows prior,
Mom found him at sin,
Before stealing his light.
That old clay doll,

Strung up on my wall,
Is stretching.
Bending and breaking,
Clacking and creaking,
Faux-sect protrusions,
Of potters good wake.

That clay-mold doll,
Strung me up on the wall,
And started to sin for the old days sake.