An abstract color/texture study. The goal was to make it as chaotic as possible without disturbing any of the focal points (eyes, forehead, nose, mouth, and chin highlights). It turned out way more interesting than I’d expected and I’m proud of it 🙂
I think the fade-away effect on the head turned out well on the left side but should have been wider as the hair shadow ended up looking a little awkward. I also struggled with shading the very tip of the nose. I made the decision to use magenta/pink gradients there and it was tough to accentuate the highlight at the tip properly. Any feedback on problem areas would be great (I’m interested in revisiting this and improving it in a few weeks)
43×67 inches (custom cut)
Had fun with this texture/lighting study. I wanted it to be really emissive and I think it was mostly successful.
I like how this one turned out. I wanted the cyborg/robot to appear somewhat damaged and unsure of itself. I think that was captured with some of the erratic shading and effects. I wanted less explicit detail as well, so a lot of the parts are suggested. I kept the color pallet simple so it would look more like splashes of paint or brands then the actual color of the android.
I put a lot of work in making the frame. I’m not very good at frames but I recognize how important they are for T-shirts. A lot of my work is too complicated to put on a shirt and the frame helps simplify it so it can be printed on different colors of shirts.
A futuristic portrait with an abstract background. I put a lot of work into fading the detail from blurry to sharp at the mechanical eye and sunglasses. I did this mostly by using more pen-strokes and splotchier shading in the face, hat, and hair. The background took a significant amount of time to construct as well, and I’m proud of how it turned out. The buildings were traced from a photo of Manhattan. There was originally a creepy painted face in the top right, but my friend pointed out that it took away too much focus from the eye and face.
Here is the piece without masking the painted face:
I’m interested in whether you all think it is better with or without the face. I’d greatly appreciate the opinions!
Bit of a splatter portrait with composite elements. I wanted to set up a cool illusion with the main portrait sharing eyes with the inked figures and I think it turned out pretty interesting. Not too much to say, I think some of my blending got sloppy but the lips turned out very well (I very often struggle with hyper realism in lips).
Anyway, the workflow was more straightforward than it probably looks. I sketched the face on watercolor paper in ink, did some basic shading to paint over. I was heavier in the areas with less detail to draw focus to the eyes and mouth. Did a lot of basic splatter effects around the edges of the face, then painted the skin. After that I blended the components and added the red splash, the buildings, comic book photos, and clouds composite style. Blended those and finished up.
Another piece of my long standing zodiac project. This one means a lot to me. One of my best friends fell thirty feet in a climbing accident and hit his head on a rock. It took the doctors three days to determine he was brain dead. They took him off support last Saturday. He was a Gemini and my friend Kendra and I created a unique version of the image for his birthday, which was a week before the accident. He never got to see it finished, but I think he would’ve liked it. He was always supportive of my art. He was probably my only fan when I first started. He was just a good friend, always there for me, even when I wasn’t there for me, and even when I wasn’t there for him.
Gemini 93×104 inches
copr blu-art, Kochre, and arctic-ink 2018
Some minor issues, but we’ll fix them.
One of my first attempts at a piece with an invisible background (not easy the way I paint). My style breaks down in cleanliness a little when you take away the background which I usually use for positive and negative space interplay, but this came out alright. It’s a little confusing to look at but it’s also a T-shirt design and I kind of like that it looks like a simple shape from far away but is also rather detailed up close.
It’s a mixed media piece. The women were done in ink while the buildings were photo manipulated into a fractal pattern. The pain splatters and textured splashes were painted digitally.
Here’s some examples of how it looks printed:
Anyway, had a lot of fun putting this together between exams and ER shifts this weekend.
Here’s a link to the store page if anyone is interested: https://www.designbyhumans.com/shop/t-shirt/men/metric-rain/952154/
Phew. Been working on this one for a few months. A put out a smaller version a while back, then realized it had more potential. So I added, a lot. And made it huge. I’m proud of it. There’s a lot of little details that are easy to miss, especially when it’s shrunk down like this. (If you can find the negative space crab, I’ll be impressed.
I still need to clean up a few things (especially the lips and the transition to the waterfall). But I think it’s on track to be one of my most complex pieces.
94×73 inch digital painting
copr Blu-art and Arktic-ink 2018, all rights reserved.
A collaboration project with an old art buddy of mine. Been working on it over the past month or so and I think it’s coming along nicely. It’s primarily a digital painting but there are composite elements in the largest flower and the famous building I’ve forgotten the name of (both were free photos from unsplash.com that we reworked into the composition). The subject was also based on a photo which I masked over and painted/re-textured. That’s essentially the equivalent of tracing something, but it is still painted and I think she turned out well.
copr Blu-art and Kochre.
I moved away here from my normal hyper-textured/realistic style primarily because there isn’t enough skin to make it work. Most of the composition was just black…so we worked in little Easter eggs from the story.
I’m especially proud of the eye re-texturing I did specifically for this piece.
Here’s a closeup of the most recent addition. There’s some smoothing out to do still, but I’m rather fond of how it turned out.
Here is a close-up of the hands alongside a few of the more complex transitions:
I know it seems needlessly bloody, but the character depicted loses a finger during the act this heads, which is what it references. Furthermore, I did a questionable job on repainting the contour of the hand and messed up the skin color a little. The blood helps cover up the mediocrity.
The artwork displayed here is copyrighted and not available for any type of reproduction without explicit written permission from me. I’m pretty open to letting people use stuff as long as they pass along credit, so don’t be afraid to ask!
My Portfolio: https://arctic-ink.myportfolio.com/
My Deviant Art: https://arctic-ink.deviantart.com/
My Design by Humans shop: https://www.designbyhumans.com/shop/ArcticInk/
He’s a weight-lifter who just won state in power-lifting. He’s also a Taurus so I decided to continue the zodiac project which I’d been putting off.
So my goal was to give the piece a heavy handed impact and a strong center focus, with the eyes being the most rendered bits. Been experimenting with more impressionistic and suggestive styles for skin facial structure. I think the varied texture and coloring of the skin and the blob of black with little bits of brown that suggest curly hair turned out well. The backgrounds a little meh, but I wanted the focus to go straight to the blue/purple eyes. The horn and shattered stone cow represent Taurus and the traits associated.
To me, it looks a lot like a traditional portrait for Scorpio I did four or five months ago:
copr Blu-Art 2018
The theory and direction here was very similar, except it’s in watercolor and pen.
It’s crazy to think I’ve only just started my transition to digital art a few months ago, and I’m really proud of the progress I’ve made. I feel myself getting to the point where I can translate my traditional art style to my digital work in a much more fluid manner. When I first tried out digital drawing I was discouraged because everything felt disconnected. It felt like I wasn’t really building off of old skills, just learning something new. Now it feels like I’m slowly combining the two into something uniquely me.
Beyond the fact that this drawing was for someone close, it is important to me because it made me realize where I want to take my art and style as a whole. That’s something I’ve been trying to figure out for a long time, too.