It’s not the bleeding dark that’s resting in your eyes, it’s the way you say I’ll never break away these ties. Your hook, and the cadence that you took.
Look. Now I begin cry as your hand runs up my thigh.
You lean in to bare and clothes begin to tear. So I stare; at the cracks between the paper, those scratches on the wall. Your fever brings out the worst in people; not me. I’m the quiet little pet that won’t let a person see; your real eyes. And fear is his name, a crow that watches us. All I see is us. Through the window. Through my crow’s eyes. The window starts to haze, as you go and have your way.
Only the red mist obscures.
This disembodied madness is how I broke away your ties. And so what?! I’m still here in your chair, with all of me to use but my mind is in a place you could never abuse.
An abstract color/texture study. The goal was to make it as chaotic as possible without disturbing any of the focal points (eyes, forehead, nose, mouth, and chin highlights). It turned out way more interesting than I’d expected and I’m proud of it 🙂
I think the fade-away effect on the head turned out well on the left side but should have been wider as the hair shadow ended up looking a little awkward. I also struggled with shading the very tip of the nose. I made the decision to use magenta/pink gradients there and it was tough to accentuate the highlight at the tip properly. Any feedback on problem areas would be great (I’m interested in revisiting this and improving it in a few weeks)
43×67 inches (custom cut)
Had fun with this texture/lighting study. I wanted it to be really emissive and I think it was mostly successful.
I wanted to focus more on the emotional side of the textures and colors for this one, so I obscured the subjects face with a smoky effect and worked his form into the body of the painting. I wanted all the transitions and blending to feel really natural and for lack of a better term, ‘two-dimensional’. Even with all the layers I think I largly accomplished that goal while keeping a lot of the shapes and contour interesting/engaging for those who want to take a closer work. The text is in Greek and Latin and deals with concepts of addiction, hence the name.
I think the interplay between the cross hatching and low opacity shapes created a futuristic sort of vibe that I kind of liked paired with the theme.
A futuristic portrait with an abstract background. I put a lot of work into fading the detail from blurry to sharp at the mechanical eye and sunglasses. I did this mostly by using more pen-strokes and splotchier shading in the face, hat, and hair. The background took a significant amount of time to construct as well, and I’m proud of how it turned out. The buildings were traced from a photo of Manhattan. There was originally a creepy painted face in the top right, but my friend pointed out that it took away too much focus from the eye and face.
Here is the piece without masking the painted face:
I’m interested in whether you all think it is better with or without the face. I’d greatly appreciate the opinions!
Bit of a splatter portrait with composite elements. I wanted to set up a cool illusion with the main portrait sharing eyes with the inked figures and I think it turned out pretty interesting. Not too much to say, I think some of my blending got sloppy but the lips turned out very well (I very often struggle with hyper realism in lips).
Anyway, the workflow was more straightforward than it probably looks. I sketched the face on watercolor paper in ink, did some basic shading to paint over. I was heavier in the areas with less detail to draw focus to the eyes and mouth. Did a lot of basic splatter effects around the edges of the face, then painted the skin. After that I blended the components and added the red splash, the buildings, comic book photos, and clouds composite style. Blended those and finished up.
A mixed media painting on cold-press. Ink, watercolor, and photo-manipulation for the geometric overlay of the ink-splatter. The face near the middle connected to the smoke is actually a portrait I did when I was first getting into digital and mixed media. It saved me a lot of time to use that and I think it looks pretty interesting.
copr Blu-Art 2018, all rights reserved.
Another piece of my long standing zodiac project. This one means a lot to me. One of my best friends fell thirty feet in a climbing accident and hit his head on a rock. It took the doctors three days to determine he was brain dead. They took him off support last Saturday. He was a Gemini and my friend Kendra and I created a unique version of the image for his birthday, which was a week before the accident. He never got to see it finished, but I think he would’ve liked it. He was always supportive of my art. He was probably my only fan when I first started. He was just a good friend, always there for me, even when I wasn’t there for me, and even when I wasn’t there for him.
Gemini 93×104 inches
copr blu-art, Kochre, and arctic-ink 2018
Some minor issues, but we’ll fix them.
Phew. Been working on this one for a few months. A put out a smaller version a while back, then realized it had more potential. So I added, a lot. And made it huge. I’m proud of it. There’s a lot of little details that are easy to miss, especially when it’s shrunk down like this. (If you can find the negative space crab, I’ll be impressed.
I still need to clean up a few things (especially the lips and the transition to the waterfall). But I think it’s on track to be one of my most complex pieces.
94×73 inch digital painting
copr Blu-art and Arktic-ink 2018, all rights reserved.
A collaboration project with an old art buddy of mine. Been working on it over the past month or so and I think it’s coming along nicely. It’s primarily a digital painting but there are composite elements in the largest flower and the famous building I’ve forgotten the name of (both were free photos from unsplash.com that we reworked into the composition). The subject was also based on a photo which I masked over and painted/re-textured. That’s essentially the equivalent of tracing something, but it is still painted and I think she turned out well.
copr Blu-art and Kochre.
I moved away here from my normal hyper-textured/realistic style primarily because there isn’t enough skin to make it work. Most of the composition was just black…so we worked in little Easter eggs from the story.
I’m especially proud of the eye re-texturing I did specifically for this piece.
Here’s a closeup of the most recent addition. There’s some smoothing out to do still, but I’m rather fond of how it turned out.
Here is a close-up of the hands alongside a few of the more complex transitions:
I know it seems needlessly bloody, but the character depicted loses a finger during the act this heads, which is what it references. Furthermore, I did a questionable job on repainting the contour of the hand and messed up the skin color a little. The blood helps cover up the mediocrity.
The artwork displayed here is copyrighted and not available for any type of reproduction without explicit written permission from me. I’m pretty open to letting people use stuff as long as they pass along credit, so don’t be afraid to ask!
My Portfolio: https://arctic-ink.myportfolio.com/
My Deviant Art: https://arctic-ink.deviantart.com/
My Design by Humans shop: https://www.designbyhumans.com/shop/ArcticInk/