I like how this one turned out. I wanted the cyborg/robot to appear somewhat damaged and unsure of itself. I think that was captured with some of the erratic shading and effects. I wanted less explicit detail as well, so a lot of the parts are suggested. I kept the color pallet simple so it would look more like splashes of paint or brands then the actual color of the android.
I put a lot of work in making the frame. I’m not very good at frames but I recognize how important they are for T-shirts. A lot of my work is too complicated to put on a shirt and the frame helps simplify it so it can be printed on different colors of shirts.
Another piece of my long standing zodiac project. This one means a lot to me. One of my best friends fell thirty feet in a climbing accident and hit his head on a rock. It took the doctors three days to determine he was brain dead. They took him off support last Saturday. He was a Gemini and my friend Kendra and I created a unique version of the image for his birthday, which was a week before the accident. He never got to see it finished, but I think he would’ve liked it. He was always supportive of my art. He was probably my only fan when I first started. He was just a good friend, always there for me, even when I wasn’t there for me, and even when I wasn’t there for him.
Gemini 93×104 inches
copr blu-art, Kochre, and arctic-ink 2018
Some minor issues, but we’ll fix them.
A straight photo-manipulation my friend and I made using a mix of personal and free assets. It was a fun day trip driving out to Des Moines to gather a plethora of photos, and this is what we came up with. I think it could have gone a lot worse considering our relative inexperience with photography.
Putting it together was also difficult, as we had something like three hundred pictures to comb through. Anyway, I had fun putting it together!
copr Blu-art 2018
For a texture based drawing like this, you kind of have to know what you’re going for, then accept that the result probably won’t look the way you think it will. I wanted to do a portrait of a character I’d already drawn, which is actually harder than drawing a new character, because you can’t just wing the features.
Step 1 (about five hours): Yes, texture drawings without blending are terrifying. I molded the textures I wanted to use into the correct shape then did some rudimentary blending and erasing out places for the drawn and more detailed parts of her face. There are some brush strokes here, but they are suggestive and serve mostly as a framework or placeholder for what is to come.
Step 2 (about six hours): Drew the majority of the important bits in. Most notably the first few layers of the nose, lips, teeth, hair and sweatshirt.
Step 3 (around eight hours): I should have taken more pictures in between for this step, but it was a lot of drawing and redrawing to get the eyes to blend into the texture and create that cracked illusion. I did a lot of work on the skin and actually retextured a few areas to get it to work better. I did most of the skins texture in a fence brush (splatter blending style).
Most of the time spent was noticing little issues in light room and going back in to fix them a good seven-nine times.
It ended up looking entirely different then what I’d pictured, but I like it a lot. Came in at only forty layers which is good, because it means I’ve gotten more efficient at reducing extraneous layers that make it needlessly complex to manage and edit.
Moving forward I want to look into re-balancing the darker marks on the right cheek, as they are too dark right now and are flattening the implied positioning of the cheek.
I’d love to find something to complain about, but I just got way too much chocolate in the post from my mom.
Things are looking up 😉
There’s a bird inside my ribcage. He screams so I’ll never forget.
I wanna smash away my sternum.
I wanna rip him from his nest.
You’d sew me back up like a garden,
and there’d be flowers in my chest.
It’d hide away his power,
and give us a place to rest.
There’s a bird inside my rib-cage.
And I wish I could just forget.
All I wanted was our garden,
I drew a line in our fault, with these worthless fucking hands.
I drew a line through this salt, so you’d connect the strands.
I drew this line in defense, of my God-damn worthless hands.
I drew a line through the salt, so you’d know my plans.
Stepped outside, only to meet a blank stare from a dead looking sky. A grey kind of light, overcast but dry. The kind of day, we would have stayed, inside. Curled up on that little thing we called our bed.
Wasting a day away, never felt so great. Now I can’t escape the red, fogging up my vision; hate.
I want nothing more than to walk back inside and lay on our bed. But you’re done with me. With we. You moved ahead. I should respect that, but my stomach feels like lead, and I can’t even curl up in my own fucking bed. Without crying out for you.
So fuck you for that, and all the rest.
I’m just trying my best, to just move on.
But when my place of rest, turns to bitter test, of me vs. myself and the memories of us and the nights we lay awake dreaming of less…and more…and how the world could be ours if we’d just reach out and…
But that’s worthless now.
And I’m worthless now.
Too bad you’re not.
And I want nothing more than to burn that bed, but I’m too filled with dread, that when it’s gone, these fading memories will finally leave my head.
Portfolio Link: https://blu-art.myportfolio.com/
There’s something beautiful in the realization that the absence of pigment can be just as, if not more, impactful than a bold line.
It’s a subtle concept that bleeds into the rest of life. What you don’t say. What you never try. Where you never go. It all says just as much as your deliberate actions.
Not doing something seems to have some sort of negative connotation attached, but I’d argue there are times when not doing something takes strength and courage. Just a thought, though.
A sad free-style lyric from about a week ago.
Phoebus-grip (PDF file for proper formatting)
Concept: For Scorpio, I wanted to depict determination, or heart. It was done in pen and then colored with watercolors and a little bit of white oils. I overlay-ed the text in the same way as the first two (found here:). This one also has a superimposed picture of a radio-tower that I shaped with an eraser to get the abstract effect.
Size: 7×10.2 in. on Watercolor paper.
Thoughts: I really liked how this one turned out. I spent significantly more time on line-work and composition planning than I did for the first two. The model is a loose depiction of Senua, a character from a recent video game: Senua’s sacrifice.