Phew. Been working on this one for a few months. A put out a smaller version a while back, then realized it had more potential. So I added, a lot. And made it huge. I’m proud of it. There’s a lot of little details that are easy to miss, especially when it’s shrunk down like this. (If you can find the negative space crab, I’ll be impressed.
I still need to clean up a few things (especially the lips and the transition to the waterfall). But I think it’s on track to be one of my most complex pieces.
94×73 inch digital painting
copr Blu-art and Arktic-ink 2018, all rights reserved.
Highlighting is cool because it broadens the tonal width of your drawings. By just going in and putting a bright white in the right areas, the drawing ends up looking entirely different because all of the old whites look like mid-tones. I’m glad I was able to salvage the nose and add more clarity to the face.
After highlights (and some mid-tone surgery and texture work if we’re being completely honest):
Still need to clean up the hair. and window. I’m really excited to become better at doing this extra phase in the drawings I do because its already giving me great results. There’s still some major issues with certain areas in the drawing, but it’s great when you find yourself improving.
Going back to my roots a little bit. I’ve felt like I’ve been relying on color a little too much to fix contour and compositional issues, so I wanted to practice some pure black and white. I messed up the nose pretty bad, but I’m happy with the hand and how the jackets texture turned out!
Been writing a lot and loving it. Need to focus more on Organic chem 2, but I’m sure I’ll strike a better balance.