So yeah, more than just ink here. Still a lot of black line-work and texture. I really like how this one turned out. Kept it thematically ambiguous. Enjoying experimenting with mixing different mediums for now.
A futuristic portrait with an abstract background. I put a lot of work into fading the detail from blurry to sharp at the mechanical eye and sunglasses. I did this mostly by using more pen-strokes and splotchier shading in the face, hat, and hair. The background took a significant amount of time to construct as well, and I’m proud of how it turned out. The buildings were traced from a photo of Manhattan. There was originally a creepy painted face in the top right, but my friend pointed out that it took away too much focus from the eye and face.
Here is the piece without masking the painted face:
I’m interested in whether you all think it is better with or without the face. I’d greatly appreciate the opinions!
A straight photo-manipulation my friend and I made using a mix of personal and free assets. It was a fun day trip driving out to Des Moines to gather a plethora of photos, and this is what we came up with. I think it could have gone a lot worse considering our relative inexperience with photography.
Putting it together was also difficult, as we had something like three hundred pictures to comb through. Anyway, I had fun putting it together!
copr Blu-art 2018
One of my first attempts at a piece with an invisible background (not easy the way I paint). My style breaks down in cleanliness a little when you take away the background which I usually use for positive and negative space interplay, but this came out alright. It’s a little confusing to look at but it’s also a T-shirt design and I kind of like that it looks like a simple shape from far away but is also rather detailed up close.
It’s a mixed media piece. The women were done in ink while the buildings were photo manipulated into a fractal pattern. The pain splatters and textured splashes were painted digitally.
Here’s some examples of how it looks printed:
Anyway, had a lot of fun putting this together between exams and ER shifts this weekend.
Here’s a link to the store page if anyone is interested: https://www.designbyhumans.com/shop/t-shirt/men/metric-rain/952154/
Red lights abound,
A flickering side-show hiding our frowns,
Dressed up all pretty;
just want to be found.
Empty glasses accenting nothing,
but young blood craving something;
Things seems good,
He wants to chat,
thinks I’m immoral.
I tell him to fuck off.
Mood seems dampened,
But I bite back the tears.
Because after all;
it was just a compliment, nothing weird.
At least that’s what my best friend seemed to think.
Hours later the bars all closed.
My spirits had lifted; I suppose.
Said my farewells and let her drive,
because she was always more poised than I…
…thought I could be.
Can’t question that, because it’s easier just to trust she’s got your back. And if she has my back I’m sure she has her own…you can’t defend another if you’re all exposed. Can you?
And if I can’t honestly say I have my own, then who’s got her back? Because I clearly don’t…since I’m the bitch who let her drive away; all fucked up on oxy cut with glaze.
Too late now,
I say to myself;
Walking down the street,
On my way to the house.
Few minutes later,
phone makes a ding,
weights all seem lifted,
when she says she’s home safe.
And that makes one. I thought to myself, eyeing that same shadow across the way. It belongs to the creep that I’d kept at bay. But now it’s all dark, and I’m not feeling sure…that I could do it again. Alone. Here.
He probably lives on campus, probably not a bad guy. Just a little pushy when hyped up on rye. The rhyming is lazy when I’m all worked up. Thing’s don’t quite flow and we all know what they serve at bars. I could try and rhyme alcohol for you but I don’t think it would matter, in communicating this learned fucking reflex that causes me to cower…when I see a man. When I don’t know what he’s doing over there.
Across the way.
I’m sure it’s nothing, and that little flash every thirty seconds is probably his phone.
Still; my hand is on that whistle…the best gag gift I ever got.
And I’m sending this message because I just want you to know, that I don’t feel quite right being alone…right now. And maybe the drugs just cloud up my mind, maybe his shadow is nothing but kind, but maybe I don’t feel like he’s reassured me of that the way he touched me without asking.
So, I’ll send you a text in a minute or two,
When I walk through that door we’ll know I was a fool,
for shivering and quivering in these fucking high heels,
hoping to God he isn’t the kind of tool,
who likes my false advertisement; my eyes still belong to you.
So don’t fucking worry,
I’ll be home in a few.
Digital concept painting:
Copr Blu-art 2018
The artwork and poetry portrayed here is the exclusive property of Blu-art and cannot be reproduced in any fashion without explicit and authentic written permission from me that is reproducible and recorded by me.
A composite wallpaper I made using adobe photo-shop and personal/free assets. Thanks to NASA for providing the awesome in-space photo I used in the top left transition.
– special thanks to KO for modeling and taking upwards of forty awkward shots of her legs for this piece, you’re the real hero –
The base of the piece was a photograph one of my best friends took of her legs, then I masked over it and repainted/replaced the skin to get more of a painted/graphic look which makes it easier to blend into a conceptual piece that already has a mixture of drawn objects next to photographs. The smoke, city, and blended transitions were all painted in to connect the extremely disparate elements of the piece. I wanted it to look like worlds or realities were about to crash together while there’s this tear or rift in reality just a few feet away from the model. The problem is she has to jump to reach the red door before everything comes crashing down.
The biggest challenge here was trying to highlight a focus, because everything is pretty hyper-detailed and distracting. That chaos is good and needed to represent worlds literally colliding, but it make it tricky to form a true compositional balance when the background is –for lack of a better word– is a cluster-duck.
Anyway, I think it turned out pretty cool for what it is and I learned a lot making it which is always the goal here.
-Free stock credits (via unsplash)
My portfolio (I do take commissions): https://arctic-ink.myportfolio.com/
My clothing designs: https://www.designbyhumans.com/shop/ArcticInk/
One of the bigger projects I’ve been working on.
40×60 inches multimedia character portrait.
I really like how it turned out.
In other news I submitted my portfolio to ‘Design by Humans’ which is a company that partners with artists from all over the world to print designs on clothing, mugs, phone cases and more. I didn’t really expect to get accepted, so it was a nice surprise when I got the email today and was able to set up my shop.
This particular design is the only thing I’ve set up so far, but there will be more to come after I make it through finals (probably in one piece…hopefully).
Anyway, all the links to that kind of stuff will be at the bottom of the art posts from now on to keep things organized.
My Portfolio: https://arctic-ink.myportfolio.com/
My Deviant Art: https://arctic-ink.deviantart.com/
My Design by Humans shop: https://www.designbyhumans.com/shop/ArcticInk/